ATOK SAPE LAGI POWER!!!
Abu: oii..kaw nak tawu atok aq power
Ali N Ajoi: ape yg power sgt 2...
Abu: atok aq angkt kereta gune 1 tgn jer..
Ajoi: ele..2 x power sgt
Abu N Ali: atok ko power ker?
Ajoi: power..atok aq angkat lori gune 1 tgn..amcam?
Ali N Abu: Fuyoooooo Power Gilller....
Ajoi N Abu: Ali atok kaw power x?
Ali: Power..
Ajoi N Abu: Ape yg power sgt atok kaw 2..
Ali: atok aq kt dalam tanah smpai skrg x timbol2..hahaa
..
✿~✿ Dialog Ali dan Mak ✿~✿
Ali : Mak, nak sepuluh ringgit.
Mak : Tak boleh.
Ali : Kalau mak bagi, nanti adik bagitau apa ayah berbual dengan bibik semalam masa mak keluar pergi Shopping.
Mak terus ambik duit RM10 dalam handbag, dan bg kepada Ali.
Mak : Ha, apa yang diorang borak ?
Ali : Ayah cakap, "Bibik, esok jangan lupa gosok baju saya".
Mak : @#$%&*
Heheee..goyang mak dia hehee
SATU HARI DI KEDAI MAKAN...
pelanggan: Bang,mari sini
sekejap..
pelayan : ye saye, ada apa encik?
pelanggan : saya ada masalah
dengan sup saya ni..
pelayan : kenapa encik?
pelanggan : cuba kamu rasa sup
ni..
pelayan : kenapa? sup ni terlalu
masin ke encik?
pelanggan : tak, cuba kamu rasa
dulu..
pelayan : ke sup ni terlalu panas?
pelanggan : tak, cuba kamu rasa
dulu..
pelayan : ok, baiklah... em, mana
sudunya?
pelanggan : haaa... tu la masalah
dia.. ! Saya nak makan sup ni
dengan apa? ape pun tak bley..
boley tolong suapkan x???
Hahaaa nii ubat diaaa..
SUATU PAGI DI SEKOLAH
Seorang murid berlari dengan bergegas-gegas sambil termengah-mengah masuk ke dalam kelas dalam keadaan berpeluh dan basah kuyup.
Cikgu yang melihat kejadian itu hairan. Cikgu bertanya kepada murid itu...
Cikgu: Kenapa dengan kamu?
Murid: Saya dikejar anjing cikgu
Cikgu: Kenapa?
Murid: Saya tak sempat tanya anjing tu cikgu, takut dia gigit.
Sunday 9 December 2012
Thursday 6 December 2012
Longkai
Biar aku mati dalam hidupmu
Saya dan team tgh merancang utk melahirkan satu filem baru tajuk longkai
Ya filem mig yg terakhir utk tahun 2012
Alhamdulilah semua berjalan lancar.
Filem ini akan mengabungkan aksi,drama dan komedi
Pelakon pelakonnya
Faizal hussien,erra fazira,dira abu zahar,nizam zaidi.along ezenyde,black mentor,piere andre,mikael andre,eppy kodiang,eddy rauf,ammar.wawa zainal.tu diantara pelakonnya.
Cast hebat wa pening
Saya dan team tgh merancang utk melahirkan satu filem baru tajuk longkai
Ya filem mig yg terakhir utk tahun 2012
Alhamdulilah semua berjalan lancar.
Filem ini akan mengabungkan aksi,drama dan komedi
Pelakon pelakonnya
Faizal hussien,erra fazira,dira abu zahar,nizam zaidi.along ezenyde,black mentor,piere andre,mikael andre,eppy kodiang,eddy rauf,ammar.wawa zainal.tu diantara pelakonnya.
Cast hebat wa pening
Tuesday 4 December 2012
Pantun
Pantun Nasihat, 2005 — Tenas Effendy
Apa tanda sampan berlabuh,
Sudah bertambat muka belakang;
Apa tanda iman yang teguh,
Ibadahnya taat dada pun lapang.
Apa tanda orang budiman,
Ke tengah ke tepi tiada menyalah;
Apa tanda orang beriman,
Hidup dan mati karena lillah.
Jangan suka meratah serai,
Serai itu pedas minyaknya;
Jangan suka nikah dan cerai,
Bercerai itu keras balaknya.
Buah seletup berongga-rongga,
Kalau bertangkai — tangkai selidi;
Bertuah hidup berumah tangga,
Kalau bercerai — bercerai mati.
Apabila perut sudah kenyang,
Syukuri nikmat diberikan Tuhan;
Apabila takut difitnah orang,
Amal ibadat jangan tinggalkan.
Rujukan
Apa tanda sampan berlabuh,
Sudah bertambat muka belakang;
Apa tanda iman yang teguh,
Ibadahnya taat dada pun lapang.
Apa tanda orang budiman,
Ke tengah ke tepi tiada menyalah;
Apa tanda orang beriman,
Hidup dan mati karena lillah.
Jangan suka meratah serai,
Serai itu pedas minyaknya;
Jangan suka nikah dan cerai,
Bercerai itu keras balaknya.
Buah seletup berongga-rongga,
Kalau bertangkai — tangkai selidi;
Bertuah hidup berumah tangga,
Kalau bercerai — bercerai mati.
Apabila perut sudah kenyang,
Syukuri nikmat diberikan Tuhan;
Apabila takut difitnah orang,
Amal ibadat jangan tinggalkan.
Rujukan
Monday 3 December 2012
Kalau kau rindukan aku
Kalau kau rindukan aku...... lihatlah ke ufuk timur ketika mentari muncul pagi seperti diriku hadir menyinarimu
Kalau kau rindukan aku......renungkanlah kembangnya sekuntum mawar merah seperti aku hadir dengan haruman kasih menenangkanmu
Kalau kau rindukan aku......tataplah ombak yang menghempas pantai seperti aku yang mengukir rindu padamu dalam setiap hirup nafasku
Kalau kau rindukan aku......halusilah butir pasir memutih di pantai seperti mana halusnya kasihku pada dirimu
Kalau kau rindukan aku......Ingatkanlah hilai tawaku denganmu dalam keasyikkan kita di saat-saat yang penuh bahagia
Tetapi................
Kalau kau rindukan aku......
Kalau kau rindukan aku......
Kalau kau rindukan aku......
Kalau kau rindukan aku......Pejamkan Matamu Sayang Aku pasti hadir
Oleh ahmadfitri
Thursday 22 November 2012
Menipu=baik,buruk = bodoh
Menggunakan kepandaian cut paste dan edit. Mengasilkan gambar baru dan di uploadkan
Hasilnya ramai org percaya termasuk saya.
Gambar jb pegang bendera yahudi. Adalah fake. Bangsat betul la sapa yg buat. Aku tak suka jb.bukan zaman aku.
Tp mempergunakan untuk meraih simpati adalah benda yg salah x baik
Kita org islam tak guna cara menjatuhkan org lain mcm tu
Perangai kita dah se islam nama kita..
Ada dua gambar di bawah tengok sendiri
Hasilnya ramai org percaya termasuk saya.
Gambar jb pegang bendera yahudi. Adalah fake. Bangsat betul la sapa yg buat. Aku tak suka jb.bukan zaman aku.
Tp mempergunakan untuk meraih simpati adalah benda yg salah x baik
Kita org islam tak guna cara menjatuhkan org lain mcm tu
Perangai kita dah se islam nama kita..
Ada dua gambar di bawah tengok sendiri
Friday 16 November 2012
Mcd free vs download vs cetak rompak vs org kita
Org kita suka benda free so bila mek di nak bg burger free aku rasa akan ramailah pergi walaupun dlm hati berkata mcd ni penyumbang besar kpd yahudi.. Yalah benda free mana tak pergi walaupun harganya kita mampu beli sendiri. Tp dia bg egg muffin aje mana airnya ooo airnya kena beli sendiri la. Kata org mcd nak ajar rakyat malaysia sarapan berkhasiat..air free x ado..
Begitu juga dgn sikap org kita ttg diwnload free ni. Tau benda tu salah tau benda tu akan jahanam kan industri movie yg kecil comel d Malaysia ni. Dah la penonton skit ke panggung ada download lagi cetak rompak lagi..mampuih kerass la org kerja bidang ni.. Lepas ni aku nak menoreh..
Begitu juga dgn sikap org kita ttg diwnload free ni. Tau benda tu salah tau benda tu akan jahanam kan industri movie yg kecil comel d Malaysia ni. Dah la penonton skit ke panggung ada download lagi cetak rompak lagi..mampuih kerass la org kerja bidang ni.. Lepas ni aku nak menoreh..
Memoir bukan memoir
Prakata utk buku pekin ibrahim
Kauorg pernah ada kawan. Kalau tak ada kawan berkawanlah dengan dia ni..
Pekin Ibrahim
Seorang Kawan,Sahabat,dan segala gala tentang hubungan seorang kawan lelaki dengan lelaki.
Pekin,masa itu kami sama sama mengejar tempat dlm bidang hiburan ini.saya sebagai asst director kadang kadang sebagai Org tengah untuk deal dengan artis. Dan dia artis yang selalu senang untuk saya deal.(sebab kebanyakkan co yg saya pernah kerja nak bg harga murah.pekin ni jenis terima saja)
Dia pernah berlakon satu filem dgn gaji yg murah.dan bibirnya pecah sebab terhantuk d jenang pintu..emm pengorbanan dia buat saya fikir banyak kali?
Kami banyak kali berkerjasama ketika saya menjadi asst director.ketika bersama Kabir Bathia.bersama abg Haris Kadir.
Saya selalu fikir siapa saya nak kawan dengan org org glamer ni..
Tp dia tak pernah meletakkan benda itu sebagai satu isu.
Pernah dia bg saya keta evo dia suruh bawak awek..ha ha ha..saya bwk dua awek ha ha ha (dia tak tau)
Melihat dr tahun demi tahun yg berubah saya selalu menjadi tempat rujukan dia untuk bercerita dan menangis.. Ya dia suka menangis.(jiwang siot mamat ni)
Pernah satu ketika saya marah dgn keputusan dia utk tak berlakon drama.alasan dia nak jadi hero filem.dia kejar benda itu dgn sunguh sunguh.dia pergi belajar dgn Hingga ke indonesia.alhamdulilah berbaloi..
Silih berganti director.Dia selalu bgtau Filem apa yg dia d offer dan berapa harga diri dia yg diberi oleh production.hingga satu malam dia call saya menangis dlm phone.dia jadi main cast ( hero filem) katanya saya org pertama dia bgtau.saya terkejut alhamdulilah tercapai impian dia.dengan harga yg berbaloi..Bonuhan.
Oww dia tetiba gila teater dan muzik..sangat gila.. Belajar main seruling dgn abg Wan Hanifisu..ada showcase sendiri teater dan muzik.Taniah demo khelasss..
Pekin
Aku harap kau akan berjaya dan jadi legend itu impian dia ni.ingat dunia yg kita kejar tak akan kekal ada org baru yang lebih baik dr kita akan muncul.so bersiap sedia..
pekin aku harap satu hari aku akan direct kau..filem cinta aku tau kau jiwang kita berkongsi satu benda yg sama.. Iaitu Rasa.
Pekin jangan selalu bermain dengan hati bole bawak mati..
Hashim Rejab
Kauorg pernah ada kawan. Kalau tak ada kawan berkawanlah dengan dia ni..
Pekin Ibrahim
Seorang Kawan,Sahabat,dan segala gala tentang hubungan seorang kawan lelaki dengan lelaki.
Pekin,masa itu kami sama sama mengejar tempat dlm bidang hiburan ini.saya sebagai asst director kadang kadang sebagai Org tengah untuk deal dengan artis. Dan dia artis yang selalu senang untuk saya deal.(sebab kebanyakkan co yg saya pernah kerja nak bg harga murah.pekin ni jenis terima saja)
Dia pernah berlakon satu filem dgn gaji yg murah.dan bibirnya pecah sebab terhantuk d jenang pintu..emm pengorbanan dia buat saya fikir banyak kali?
Kami banyak kali berkerjasama ketika saya menjadi asst director.ketika bersama Kabir Bathia.bersama abg Haris Kadir.
Saya selalu fikir siapa saya nak kawan dengan org org glamer ni..
Tp dia tak pernah meletakkan benda itu sebagai satu isu.
Pernah dia bg saya keta evo dia suruh bawak awek..ha ha ha..saya bwk dua awek ha ha ha (dia tak tau)
Melihat dr tahun demi tahun yg berubah saya selalu menjadi tempat rujukan dia untuk bercerita dan menangis.. Ya dia suka menangis.(jiwang siot mamat ni)
Pernah satu ketika saya marah dgn keputusan dia utk tak berlakon drama.alasan dia nak jadi hero filem.dia kejar benda itu dgn sunguh sunguh.dia pergi belajar dgn Hingga ke indonesia.alhamdulilah berbaloi..
Silih berganti director.Dia selalu bgtau Filem apa yg dia d offer dan berapa harga diri dia yg diberi oleh production.hingga satu malam dia call saya menangis dlm phone.dia jadi main cast ( hero filem) katanya saya org pertama dia bgtau.saya terkejut alhamdulilah tercapai impian dia.dengan harga yg berbaloi..Bonuhan.
Oww dia tetiba gila teater dan muzik..sangat gila.. Belajar main seruling dgn abg Wan Hanifisu..ada showcase sendiri teater dan muzik.Taniah demo khelasss..
Pekin
Aku harap kau akan berjaya dan jadi legend itu impian dia ni.ingat dunia yg kita kejar tak akan kekal ada org baru yang lebih baik dr kita akan muncul.so bersiap sedia..
pekin aku harap satu hari aku akan direct kau..filem cinta aku tau kau jiwang kita berkongsi satu benda yg sama.. Iaitu Rasa.
Pekin jangan selalu bermain dengan hati bole bawak mati..
Hashim Rejab
Friday 14 September 2012
Halimmunan
Halimmunan
Filem terbaru saya ke layar perak filem yg istimewa kerana filem ini amat payah untuk saya hasilkan. Proses yg mengambil masa yang lama,
Producer yg baru dan sgt baik hati.RR empire sdn bhd bisnes keluarga seluruh ahli keluarga mereka mengharapkan filem ini menjadi dan meletup saya juga begitu.
Musim ini jualan tiket dipanggung sangat perit beberapa filem sebelum filem saya dikeluarkan jualan kutipan tiketnya sagt teruk.
Saya berfikir kenapa terjadi begini.kesian producer saya melabur hampir rm 2 juta lebih.itu duit personal.
Dan saya bukan buat cerita main main.saya buat cerita untuk hiburan
Kenapa bila dikeluarkan ke tv semua suka kenapa x pergi panggung.
Tak ada jawapan
Penonton selalu minta filem yg baik,tp kalau buat yg baik mereka tak pergi menonton.
JDi apayg mereka mahu.ramai producer mula takut untik terbitkan filem ramai yg mengambil langkah melihat pasaran dahulu.
Kalau kos yg dikeluarkan min 1.8juta ke atas dan kutipan hanya rm100k mati loooooo.
Saya pening..producer pening penonton nak apa ya
Monday 2 April 2012
Ucapan press preview filem 3 temujanji
Alhamdulilah allah izin kan kita maka lengkaplah 3 temujanji
Terima kasih kp pengerusi majlis. Terima kasih tak terhingga kpd Mejar David Teoh yang memberi peluang besar Kpd saya. Selamat Datang kpd
Pencinta tegar filem melayu,Mig online pencinta media,wartwan hiburan dan bloggers. Dept pr dan promosi filem mig, producer yg turut hadir serta pengarah pengarah ,Serta staff mig dan metrowealth
Terima kasih kpd cik azahari hamid org yg menjadi tulang belakang 3 temujanji. Kpd team production team temujanji ajiboi,jojo syed,sharil dp.wdorobe make runner dan tukang buat air.mig sound factory dr bilik editing dubbing dan skor muzik di bwh jagaan mr kang terima kasih juga buat penulis skrip meor sariman dan panel skrip mig yg d ketuai oleh mimi.
Ribuan terima kasih buat pelakon pelakon hebat dlm 3 temujanji yana,piere,diana amir,kamal,kamal faridz,mia sara nasuha,chole,kartina aziz,wawa zainal,farid kamil,zul sufian,cat farish,mustafa kamal,pak pie,nuremy,aman syah,isma daneil,liana rafail,zalif sidek.lydiawati adibah yunus
Allah telah ciptakan adam dan hawa kemudiannya diberikan perasaan yg murni iaitu cinta. Bermula dr itulah segala yang berlaku dalam kehidupan manusia cinta adalahlah asasnya. Cintakan nama,kuasa,harta,dan lelaki serta perempuan.maka cinta adalah benda yang paling mulia. Dan semua orang tak dapat lari dari cinta. Ia kita sering memandang remeh agrhh filem baru mesti cinta..arghhh filem hashim mesti cinta.. Tapi siapa yang d sini dapat menafikan cinta..
3 temujanji adlah sebuah filem yg cuba memaparkan sikap penerimaan kita terhadap cinta. Bila cinta yang di cari cinta akan pergi.
Watak reena,sein,kamal,dan amanda diana.mewakilli gelora setiap orang dlm seharian.yg tak percaya cinta tp nakkan cinta ,yg tlalu percayakan cinta dan merana.kpd pencinta pencinta jangan bunuh cinta anda kerana Cinta itu suci,cinta itu murni,dan cinta itu pasti
Selamat menonton 3 temujanji
Terima kasih kp pengerusi majlis. Terima kasih tak terhingga kpd Mejar David Teoh yang memberi peluang besar Kpd saya. Selamat Datang kpd
Pencinta tegar filem melayu,Mig online pencinta media,wartwan hiburan dan bloggers. Dept pr dan promosi filem mig, producer yg turut hadir serta pengarah pengarah ,Serta staff mig dan metrowealth
Terima kasih kpd cik azahari hamid org yg menjadi tulang belakang 3 temujanji. Kpd team production team temujanji ajiboi,jojo syed,sharil dp.wdorobe make runner dan tukang buat air.mig sound factory dr bilik editing dubbing dan skor muzik di bwh jagaan mr kang terima kasih juga buat penulis skrip meor sariman dan panel skrip mig yg d ketuai oleh mimi.
Ribuan terima kasih buat pelakon pelakon hebat dlm 3 temujanji yana,piere,diana amir,kamal,kamal faridz,mia sara nasuha,chole,kartina aziz,wawa zainal,farid kamil,zul sufian,cat farish,mustafa kamal,pak pie,nuremy,aman syah,isma daneil,liana rafail,zalif sidek.lydiawati adibah yunus
Allah telah ciptakan adam dan hawa kemudiannya diberikan perasaan yg murni iaitu cinta. Bermula dr itulah segala yang berlaku dalam kehidupan manusia cinta adalahlah asasnya. Cintakan nama,kuasa,harta,dan lelaki serta perempuan.maka cinta adalah benda yang paling mulia. Dan semua orang tak dapat lari dari cinta. Ia kita sering memandang remeh agrhh filem baru mesti cinta..arghhh filem hashim mesti cinta.. Tapi siapa yang d sini dapat menafikan cinta..
3 temujanji adlah sebuah filem yg cuba memaparkan sikap penerimaan kita terhadap cinta. Bila cinta yang di cari cinta akan pergi.
Watak reena,sein,kamal,dan amanda diana.mewakilli gelora setiap orang dlm seharian.yg tak percaya cinta tp nakkan cinta ,yg tlalu percayakan cinta dan merana.kpd pencinta pencinta jangan bunuh cinta anda kerana Cinta itu suci,cinta itu murni,dan cinta itu pasti
Selamat menonton 3 temujanji
Tuesday 28 February 2012
Director
Film director
From Wikipedia, the free encyclopedia
This article contains weasel words: vague phrasing that often accompanies biased or unverifiable information. Such statements should be clarified or removed. (December 2009)
A film director is a person who directs the actors and film crew in filmmaking.[1] They control a film's artistic and dramatic aspects, while guiding the technical crew and actors.
A new director working on feature films might earn as much as $200,000 a year, while the most successful can earn over $500,000 per film plus a "back-end" percentage of the profits, which in some cases can lift their income to several million dollars.[2][3]
Contents [hide]
1 Responsibilities
2 Characteristics of film directors
3 Professional organizations
4 Notable film directors
5 See also
6 Bibliography
7 Notes
8 External links
[edit]Responsibilities
Directors are responsible for overseeing creative aspects of a film under the overall control of the film producer. They often develop the vision for a film and carry out the vision, deciding how the film should look, in other words they make their vision come to life. They are responsible for turning the script into a sequence of shots. They also direct what tone it should have and what an audience should gain from the cinematic experience. Film directors are responsible for deciding camera angles, lens effects and lighting with the help of the cinematographer and set design with the production designer. They will often take part in hiring the cast and key crew members. They coordinate the actors' moves, or blocking and also may be involved in the writing, financing and editing of a film.
The director works closely with the cast and crew to shape the film. Some like to conduct rigorous rehearsals in preproduction while others do so before each scene. In either case, this process is essential as it tells the director as well as other key members of the crew (director of photography, stunt coordinator, hair stylist, etc.), how the actors are going to play the scene, which enables them to make any necessary adjustments. Directors often use storyboards to illustrate sequences and concepts and a director's viewfinder to set up camera angles.
The director also plays a key role in post-production. He or she works with the editor to ensure that the emotions of the scene and the close ups, mid-shots and wide or long shots appropriately reflect which character is driving the narrative. The director also advises on the (colour) grading of the final images, adding warmth or frigidity to the composition of the shots to reflect the emotional subtext of the character or environment. The director will sometimes participate in the sound mix and musical composition of the film. In the subsequent promotion of the finished film, if a director is well known his name and image is used to promote the film alongside the stars of the film, but having an image is not the primary function of a director, as they are judged by their creative talent and ability to run a production. It is the second most powerful "behind the scenes" profession in the movie industry, after the producer, but the director traditionally has complete control "on the floor".
[edit]Characteristics of film directors
Ingmar Bergman apparently examines an x-ray film, during work on Wild Strawberries.
The film director, on the right, gives last minute direction to the cast and crew, while filming a costume drama on location in London.
Here, director William Eubank performs multiple roles on-set as both director and camera operator.
Different directors can vary immensely amongst themselves, under various characteristics. Several examples are:
Outline a general plotline and let the actors improvise dialogue. Notable examples include Christopher Guest, Wong Kar-wai, Spike Lee, Wim Wenders, Mike Leigh, Jean-Luc Godard, Miklós Jancsó, Gus Van Sant, Judd Apatow, and occasionally Robert Altman, Sergio Leone and Federico Fellini.
Control every aspect, and demand that the actors and crew follow instructions precisely. Notable examples include David Lean, Akira Kurosawa, Steven Spielberg, Victor Fleming, James Cameron, Michael Bay, George Lucas, Stanley Kubrick, Sidney Lumet, Marcus Dillistone, Christopher Nolan, David Fincher, Guillermo del Toro, Roy Andersson, and Alfred Hitchcock.
Write and/or produce their own films. Notable examples include Woody Allen, Werner Herzog, Alejandro Jodorowsky, John Cassavetes, Ingmar Bergman, Stanley Kubrick, Quentin Tarantino, Giuseppe Cavallaro, James Cameron, Albert Magnoli, George Lucas, J. F. Lawton, David Cronenberg, Charlie Chaplin, Billy Wilder, Ed Wood, David Lynch, the Coen brothers, Jeremy Viele, Francis Ford Coppola, Sofia Coppola, Pedro Almodóvar, John Hughes, Nick Park, Edward Burns, Kevin Smith, Todd Field, Cameron Crowe, Oren Peli, Eli Roth, Paul Thomas Anderson, Guillermo del Toro, Rainer Werner Fassbinder, Roy Andersson, Oliver Stone, Terrence Malick, Brendan Moriarty, John Singleton, Spike Lee, Orson Welles, Akira Kurosawa, Hayao Miyazaki, M. Night Shyamalan, Paul Haggis, Billy Bob Thornton, James Wong, Tyler Perry, Robert Rodriguez, Christopher Nolan, George A. Romero, Sergio Leone, Satyajit Ray, DJ Pooh and Stuart Beattie. Steven Spielberg, Scott Spiegel, Jack Neo, Sidney J. Furie and Tim Burton have written screenplays for a small number of their films.
Collaborate on screenplays with long-standing writing partners. Notable examples include Alejandro González Iñárritu and Guillermo Arriaga, Elia Kazan and Tennessee Williams, Terry Gilliam and Charles McKeown/Tony Grisoni, Wes Anderson and Owen Wilson/Noah Baumbach, Edgar Wright and Simon Pegg, Martin Scorsese and Nicholas Pileggi/Paul Schrader/Jay Cocks, Yasujirō Ozu and Kôgo Noda, Peter Jackson and Fran Walsh, Robert Zemeckis and Bob Gale, Luis Buñuel and Jean-Claude Carrière/Luis Alcoriza, Krzysztof Kieślowski/Krzysztof Piesiewicz, Frank Capra/Robert Riskin, Michelangelo Antonioni/Tonino Guerra, Billy Wilder/I.A.L. Diamond, Sergio Leone and Sergio Donati, Guillermo del Toro and Matthew Robbins, and Christopher Nolan/Jonathan Nolan/David S. Goyer.
Be the cinematographer and/or editor. Notable examples include Nicolas Roeg, Akira Kurosawa, Peter Hyams, Steven Soderbergh, Josef von Sternberg, David Lean, Albert Magnoli, Don Coscarelli, Robert Rodriguez, James Cameron, Ed Wood, Gaspar Noe, Raja Gosnell, Tony Kaye, Takeshi Kitano, Andy Warhol, Shinya Tsukamoto, Kenneth Anger, the Coen brothers.
Appear in their films. Notable examples include Clint Eastwood, Orson Welles, Mel Gibson, Martin Scorsese, Peter Jackson, John Waters, John Carpenter, Spike Lee, Tyler Perry, Rainer Werner Fassbinder, Kevin Costner, Kenneth Anger, Woody Allen, Jon Favreau, Quentin Tarantino, Eli Roth, Michael Bay, Mel Brooks, Ben Stiller, Alejandro Jodorowsky, Charlie Chaplin, Terry Jones, Edward Burns, Sam Raimi, Roman Polanski, Billy Bob Thornton, Sylvester Stallone, M. Night Shyamalan, Will Hay, Harold Ramis, Robert De Niro, John Woo, Kevin Smith, Ed Wood, Warren Beatty, DJ Pooh and Edgar Wright. Kenneth Branagh, Alfred Hitchcock, Scott Spiegel, Shawn Levy and Spike Jonze made cameo appearances in their films.
Compose a music score for their films. Notable examples include Charlie Chaplin, Clint Eastwood, David Lynch, Alejandro Jodorowsky, John Carpenter, Alejandro Amenábar, Satyajit Ray and Robert Rodriguez.
Cast a certain actor in more than one of their films. Notable examples include Mel Brooks, Tim Burton, the Coen brothers, Guillermo Del Toro, Emilio Fernández, David Lynch, Ed Wood, Robert Rodriguez, Wolfgang Reitherman, Don Bluth, Shawn Levy, Terry Jones, Quentin Tarantino, Martin Scorsese, Rob Zombie, Sam Raimi, James Cameron, Spike Lee, Jean-Pierre Jeunet, David Fincher, John Musker, Ron Clements, Edgar Wright, M. Night Shyamalan, Vincenzo Natali, Baz Luhrmann, Alfred Hitchcock, Guillermo del Toro, Terry Gilliam, Spike Jonze, Eli Roth, Christopher Nolan, Woody Allen, Justin Lin, Jack Neo, Kevin Smith, Ivan Reitman, Manirathnam, Robert Zemeckis, Akira Kurosawa, Ridley Scott, John Waters, Wes Anderson, Jason Friedberg and Aaron Seltzer. Stanley Kubrick and Scott Spiegel had recast a small number of actors in their films.
Be a single-person film crew (collaborating on cinematography, editing and music as well). Notable examples include Josh Becker, Robert Rodriguez, William Eubank and John Waters.
Begin their careers in other parts of the media before crossing to direction. Notable examples include Jan de Bont, Mark Goldblatt, Clint Eastwood, Emilio Estevez, Ron Howard, Ben Affleck and Frank Marshall.
[edit]Professional organizations
In the United States, directors usually belong to the Directors Guild of America. The Canadian equivalent is the Directors Guild of Canada. In the UK, directors usually belong to the Directors Guild of Great Britain.
In Europe, FERA, the Federation of European Film Directors, represents 37 national directors' guilds in 30 countries.
[edit]Notable film directors
Woody Allen
Pedro Almodóvar
Robert Altman
Paul Thomas Anderson
Lindsay Anderson
Theodoros Angelopoulos
Jean-Jacques Annaud
Michelangelo Antonioni
Darren Aronofsky
Richard Attenborough
Ingmar Bergman
John Boorman
Robert Bresson
Luis Buñuel
Tim Burton
James Cameron
Frank Capra
John Cassavetes
Nuri Bilge Ceylan
Charlie Chaplin
Henri-Georges Clouzot
Coen brothers
Francis Ford Coppola
Frank Darabont
Vittorio De Sica
Carl Theodor Dreyer
Clint Eastwood
Sergei Eisenstein
Rainer Werner Fassbinder
Federico Fellini
Todd Field
David Fincher
Miloš Forman
John Ford
John Frankenheimer
William Friedkin
Samuel Fuller
Terry Gilliam
Jean-Luc Godard
D. W. Griffith
Michael Haneke
Howard Hawks
Werner Herzog
Alfred Hitchcock
John Huston
Kon Ichikawa
Peter Jackson
Jean-Pierre Jeunet
Chuck Jones
Elia Kazan
Buster Keaton
Abbas Kiarostami
Krzysztof Kieślowski
Masaki Kobayashi
Stanley Kubrick
Akira Kurosawa
Emir Kusturica
Fritz Lang
David Lean
Spike Lee
Sergio Leone
George Lucas
Sidney Lumet
Ernst Lubitsch
David Lynch
Terrence Malick
Louis Malle
Joseph L. Mankiewicz
Steve McQueen
Georges Méliès
Kenji Mizoguchi
F. W. Murnau
Christopher Nolan
Frank Oz
Yasujirō Ozu
Sam Peckinpah
Roman Polanski
Nicholas Ray
Satyajit Ray
Rob Reiner
Jean Renoir
Alain Resnais
Éric Rohmer
George A. Romero
Roberto Rossellini
Franklin J. Schaffner
Martin Scorsese
Ridley Scott
Don Siegel
Steven Soderbergh
Steven Spielberg
Oliver Stone
Quentin Tarantino
Andrei Tarkovsky
Bela Tarr
Jiří Trnka
François Truffaut
Paul Verhoeven
King Vidor
Luchino Visconti
Lars von Trier
The Wachowskis
Orson Welles
Wim Wenders
Billy Wilder
Robert Wise
Edgar Wright
William Wyler
Karel Zeman
Padmarajan
Robert Zemeckis
From Wikipedia, the free encyclopedia
This article contains weasel words: vague phrasing that often accompanies biased or unverifiable information. Such statements should be clarified or removed. (December 2009)
A film director is a person who directs the actors and film crew in filmmaking.[1] They control a film's artistic and dramatic aspects, while guiding the technical crew and actors.
A new director working on feature films might earn as much as $200,000 a year, while the most successful can earn over $500,000 per film plus a "back-end" percentage of the profits, which in some cases can lift their income to several million dollars.[2][3]
Contents [hide]
1 Responsibilities
2 Characteristics of film directors
3 Professional organizations
4 Notable film directors
5 See also
6 Bibliography
7 Notes
8 External links
[edit]Responsibilities
Directors are responsible for overseeing creative aspects of a film under the overall control of the film producer. They often develop the vision for a film and carry out the vision, deciding how the film should look, in other words they make their vision come to life. They are responsible for turning the script into a sequence of shots. They also direct what tone it should have and what an audience should gain from the cinematic experience. Film directors are responsible for deciding camera angles, lens effects and lighting with the help of the cinematographer and set design with the production designer. They will often take part in hiring the cast and key crew members. They coordinate the actors' moves, or blocking and also may be involved in the writing, financing and editing of a film.
The director works closely with the cast and crew to shape the film. Some like to conduct rigorous rehearsals in preproduction while others do so before each scene. In either case, this process is essential as it tells the director as well as other key members of the crew (director of photography, stunt coordinator, hair stylist, etc.), how the actors are going to play the scene, which enables them to make any necessary adjustments. Directors often use storyboards to illustrate sequences and concepts and a director's viewfinder to set up camera angles.
The director also plays a key role in post-production. He or she works with the editor to ensure that the emotions of the scene and the close ups, mid-shots and wide or long shots appropriately reflect which character is driving the narrative. The director also advises on the (colour) grading of the final images, adding warmth or frigidity to the composition of the shots to reflect the emotional subtext of the character or environment. The director will sometimes participate in the sound mix and musical composition of the film. In the subsequent promotion of the finished film, if a director is well known his name and image is used to promote the film alongside the stars of the film, but having an image is not the primary function of a director, as they are judged by their creative talent and ability to run a production. It is the second most powerful "behind the scenes" profession in the movie industry, after the producer, but the director traditionally has complete control "on the floor".
[edit]Characteristics of film directors
Ingmar Bergman apparently examines an x-ray film, during work on Wild Strawberries.
The film director, on the right, gives last minute direction to the cast and crew, while filming a costume drama on location in London.
Here, director William Eubank performs multiple roles on-set as both director and camera operator.
Different directors can vary immensely amongst themselves, under various characteristics. Several examples are:
Outline a general plotline and let the actors improvise dialogue. Notable examples include Christopher Guest, Wong Kar-wai, Spike Lee, Wim Wenders, Mike Leigh, Jean-Luc Godard, Miklós Jancsó, Gus Van Sant, Judd Apatow, and occasionally Robert Altman, Sergio Leone and Federico Fellini.
Control every aspect, and demand that the actors and crew follow instructions precisely. Notable examples include David Lean, Akira Kurosawa, Steven Spielberg, Victor Fleming, James Cameron, Michael Bay, George Lucas, Stanley Kubrick, Sidney Lumet, Marcus Dillistone, Christopher Nolan, David Fincher, Guillermo del Toro, Roy Andersson, and Alfred Hitchcock.
Write and/or produce their own films. Notable examples include Woody Allen, Werner Herzog, Alejandro Jodorowsky, John Cassavetes, Ingmar Bergman, Stanley Kubrick, Quentin Tarantino, Giuseppe Cavallaro, James Cameron, Albert Magnoli, George Lucas, J. F. Lawton, David Cronenberg, Charlie Chaplin, Billy Wilder, Ed Wood, David Lynch, the Coen brothers, Jeremy Viele, Francis Ford Coppola, Sofia Coppola, Pedro Almodóvar, John Hughes, Nick Park, Edward Burns, Kevin Smith, Todd Field, Cameron Crowe, Oren Peli, Eli Roth, Paul Thomas Anderson, Guillermo del Toro, Rainer Werner Fassbinder, Roy Andersson, Oliver Stone, Terrence Malick, Brendan Moriarty, John Singleton, Spike Lee, Orson Welles, Akira Kurosawa, Hayao Miyazaki, M. Night Shyamalan, Paul Haggis, Billy Bob Thornton, James Wong, Tyler Perry, Robert Rodriguez, Christopher Nolan, George A. Romero, Sergio Leone, Satyajit Ray, DJ Pooh and Stuart Beattie. Steven Spielberg, Scott Spiegel, Jack Neo, Sidney J. Furie and Tim Burton have written screenplays for a small number of their films.
Collaborate on screenplays with long-standing writing partners. Notable examples include Alejandro González Iñárritu and Guillermo Arriaga, Elia Kazan and Tennessee Williams, Terry Gilliam and Charles McKeown/Tony Grisoni, Wes Anderson and Owen Wilson/Noah Baumbach, Edgar Wright and Simon Pegg, Martin Scorsese and Nicholas Pileggi/Paul Schrader/Jay Cocks, Yasujirō Ozu and Kôgo Noda, Peter Jackson and Fran Walsh, Robert Zemeckis and Bob Gale, Luis Buñuel and Jean-Claude Carrière/Luis Alcoriza, Krzysztof Kieślowski/Krzysztof Piesiewicz, Frank Capra/Robert Riskin, Michelangelo Antonioni/Tonino Guerra, Billy Wilder/I.A.L. Diamond, Sergio Leone and Sergio Donati, Guillermo del Toro and Matthew Robbins, and Christopher Nolan/Jonathan Nolan/David S. Goyer.
Be the cinematographer and/or editor. Notable examples include Nicolas Roeg, Akira Kurosawa, Peter Hyams, Steven Soderbergh, Josef von Sternberg, David Lean, Albert Magnoli, Don Coscarelli, Robert Rodriguez, James Cameron, Ed Wood, Gaspar Noe, Raja Gosnell, Tony Kaye, Takeshi Kitano, Andy Warhol, Shinya Tsukamoto, Kenneth Anger, the Coen brothers.
Appear in their films. Notable examples include Clint Eastwood, Orson Welles, Mel Gibson, Martin Scorsese, Peter Jackson, John Waters, John Carpenter, Spike Lee, Tyler Perry, Rainer Werner Fassbinder, Kevin Costner, Kenneth Anger, Woody Allen, Jon Favreau, Quentin Tarantino, Eli Roth, Michael Bay, Mel Brooks, Ben Stiller, Alejandro Jodorowsky, Charlie Chaplin, Terry Jones, Edward Burns, Sam Raimi, Roman Polanski, Billy Bob Thornton, Sylvester Stallone, M. Night Shyamalan, Will Hay, Harold Ramis, Robert De Niro, John Woo, Kevin Smith, Ed Wood, Warren Beatty, DJ Pooh and Edgar Wright. Kenneth Branagh, Alfred Hitchcock, Scott Spiegel, Shawn Levy and Spike Jonze made cameo appearances in their films.
Compose a music score for their films. Notable examples include Charlie Chaplin, Clint Eastwood, David Lynch, Alejandro Jodorowsky, John Carpenter, Alejandro Amenábar, Satyajit Ray and Robert Rodriguez.
Cast a certain actor in more than one of their films. Notable examples include Mel Brooks, Tim Burton, the Coen brothers, Guillermo Del Toro, Emilio Fernández, David Lynch, Ed Wood, Robert Rodriguez, Wolfgang Reitherman, Don Bluth, Shawn Levy, Terry Jones, Quentin Tarantino, Martin Scorsese, Rob Zombie, Sam Raimi, James Cameron, Spike Lee, Jean-Pierre Jeunet, David Fincher, John Musker, Ron Clements, Edgar Wright, M. Night Shyamalan, Vincenzo Natali, Baz Luhrmann, Alfred Hitchcock, Guillermo del Toro, Terry Gilliam, Spike Jonze, Eli Roth, Christopher Nolan, Woody Allen, Justin Lin, Jack Neo, Kevin Smith, Ivan Reitman, Manirathnam, Robert Zemeckis, Akira Kurosawa, Ridley Scott, John Waters, Wes Anderson, Jason Friedberg and Aaron Seltzer. Stanley Kubrick and Scott Spiegel had recast a small number of actors in their films.
Be a single-person film crew (collaborating on cinematography, editing and music as well). Notable examples include Josh Becker, Robert Rodriguez, William Eubank and John Waters.
Begin their careers in other parts of the media before crossing to direction. Notable examples include Jan de Bont, Mark Goldblatt, Clint Eastwood, Emilio Estevez, Ron Howard, Ben Affleck and Frank Marshall.
[edit]Professional organizations
In the United States, directors usually belong to the Directors Guild of America. The Canadian equivalent is the Directors Guild of Canada. In the UK, directors usually belong to the Directors Guild of Great Britain.
In Europe, FERA, the Federation of European Film Directors, represents 37 national directors' guilds in 30 countries.
[edit]Notable film directors
Woody Allen
Pedro Almodóvar
Robert Altman
Paul Thomas Anderson
Lindsay Anderson
Theodoros Angelopoulos
Jean-Jacques Annaud
Michelangelo Antonioni
Darren Aronofsky
Richard Attenborough
Ingmar Bergman
John Boorman
Robert Bresson
Luis Buñuel
Tim Burton
James Cameron
Frank Capra
John Cassavetes
Nuri Bilge Ceylan
Charlie Chaplin
Henri-Georges Clouzot
Coen brothers
Francis Ford Coppola
Frank Darabont
Vittorio De Sica
Carl Theodor Dreyer
Clint Eastwood
Sergei Eisenstein
Rainer Werner Fassbinder
Federico Fellini
Todd Field
David Fincher
Miloš Forman
John Ford
John Frankenheimer
William Friedkin
Samuel Fuller
Terry Gilliam
Jean-Luc Godard
D. W. Griffith
Michael Haneke
Howard Hawks
Werner Herzog
Alfred Hitchcock
John Huston
Kon Ichikawa
Peter Jackson
Jean-Pierre Jeunet
Chuck Jones
Elia Kazan
Buster Keaton
Abbas Kiarostami
Krzysztof Kieślowski
Masaki Kobayashi
Stanley Kubrick
Akira Kurosawa
Emir Kusturica
Fritz Lang
David Lean
Spike Lee
Sergio Leone
George Lucas
Sidney Lumet
Ernst Lubitsch
David Lynch
Terrence Malick
Louis Malle
Joseph L. Mankiewicz
Steve McQueen
Georges Méliès
Kenji Mizoguchi
F. W. Murnau
Christopher Nolan
Frank Oz
Yasujirō Ozu
Sam Peckinpah
Roman Polanski
Nicholas Ray
Satyajit Ray
Rob Reiner
Jean Renoir
Alain Resnais
Éric Rohmer
George A. Romero
Roberto Rossellini
Franklin J. Schaffner
Martin Scorsese
Ridley Scott
Don Siegel
Steven Soderbergh
Steven Spielberg
Oliver Stone
Quentin Tarantino
Andrei Tarkovsky
Bela Tarr
Jiří Trnka
François Truffaut
Paul Verhoeven
King Vidor
Luchino Visconti
Lars von Trier
The Wachowskis
Orson Welles
Wim Wenders
Billy Wilder
Robert Wise
Edgar Wright
William Wyler
Karel Zeman
Padmarajan
Robert Zemeckis
Thursday 9 February 2012
Syair yang tak pernah padam
Alhamdulillah Lyrics
by Too Phat
Dian Sastro:
Disaat waktu berhenti... kosong
Dimensi membutakan mata, memekakkan telinga
Lalu diri menjadi hampa
Saat paradigma dunia tidak lagi digunakan untuk menerka*
Sadarku akan hadirmu, mematahkan sendi2 yang biasanya tegak berdiri
Yassin:
Ult li albi bissaraha (I'm opening up my heart with honesty)
Hayya nab'idil karaha (Let's avoid the hated and hatred)
Syakkireena a' kulli ni'ma (Let's remain thankful with what we have)
Ba' ideena anil fattana (Let's avoid all lies and sins)
Malique:
Merenungi luar jendela, mengagumi kebesaran yang Maha Esa
Ku menilai kehidupan dari sudut berbeza
Tak memadai hanya kecapi rasa selesa
Maukan harta yang mampu beli 1 semesta
Berpesta ke pagi botol bergelimpangan
Kekasih muda bukan setakat berpegang tangan
Harta dan jamuan nafsu tidak berkekalan
Bila menjelang tua bukan itu jadi bekalan
Dan jangan puisi ini disalah tafsir pula
Bukan berkhutbah cuma betuli diri jua
Ingin hidup sempurna aset nilai berjuta,
Saling tukar wanita, senyum dan mati tua
Bakat dikurnia jangan disalah guna
Jangan kufur nikmat yang diberi percuma
Guna kelebihan untuk hikmah bersama
Jagalah nama hidup penuh pementasan dan drama
Ada berisi ada yang kurus, ada melencong ada yang lurus bukan semuanya tulus
Ada sempuna ada kurang upaya ada yang jadi buta hanya bila sudah kaya
Sebesar rumah bermula dengan sekecil bata, boleh hilang dalam sekelip mata
Ucaplah alhamdulillah bukannya sukar, kerna semua yang kaya atau besar
Tetap Allahuakbar!
Joe Flizzow:
Jadikanlah ku tentera Fisabilillah yang tertera di kalimah harap memanduilah
Entah apabila persimpangan tiba, hidup penuh dengan rintangan harus kuhadapinya
Harapku tidak lupa diri bila gembira, dan cuma mula mencari kau disaat hiba
Ku cuma manusia penuh dengan kesilapan tapi bisa membezakan cahaya dan kegelapan
Tabah bila dihalangan duri onak dan cobaan
Teguh bila dicobakan keruh kuasa dan perempuan
Oh, Sentiasa legar diminda, dikejar dan dipinta dari zaman bermula hingga ke akhirnya
Ku mengerti siapa ku tanpamu disisi dan apa guna posisi juga posesi
Sementara ini cuma hanya puisi, nukilan tulisan dan bisikan isi hati
Mencari ketenangan, menjiwai peranan menepati pesanan janji juga saranan
Alhamdulillah atas kurniaan rezeki, moga tidak leka dalam perjalanan ini
Yassin:
Ult li albi bissaraha (I'm opening up my heart with honesty)
Hayya nab'idil karaha (Let's avoid the hated and hatred)
Syakkireena a' kulli ni'ma (Let's remain thankful with what we have)
Ba' ideena anil fattana (Let's avoid all lies and sins)
Ahli Fiqir:
Aku yang memandang di dalam lubuk hati, mencari-cari zat rahsia yang katanya tersembunyi
Aku yang melihat alam meliputi wujud menyertai lalu ku pindahkan alam ke dalam mata hati
Aku hakiki, aku mengerti segala yang terjadi di langit dan di bumi
Gunanya tiada fantasi, pelik dan benar, qada' dan qadar kau berilah ku kekuatan
Agar dapat ku hindarkan segala kesesatan
Usah kau biar nafsuku terliur dari pandangan majazi ini,
Aku yang hodoh lagi hina amat benar merindui
Moga cahaya lelapku tak membutakan mataku, semoga segala puji tak ku meninggi diri
Moga segala janji dapat juga ku penuhi, moga dapatku hadapi tikaman dari belakang
Lidah setajam pisau, ku tidak akan risau dengan cabaran, dugaan sepanjang perjalanan
Ku pasrah ku akur 7, 8, 6 Alhamdulillah Syukur...
Yassin:
Ult li albi bissaraha (I'm opening up my heart with honesty)
Hayya nab'idil karaha (Let's avoid the hated and hatred)
Syakkireena a' kulli ni'ma (Let's remain thankful with what we have)
Ba' ideena anil fattana (Let's avoid all lies and sins)
Laihi ya ruhi yadada ya laihi
Yalaihi ya yaruhi ya yadada yalaihi...
Dian Sastro:
Sujudku pun takkan memuaskan inginku
'Tuk hanturkan* sembah sedalam kalbu
Adapun kusembahkan syukur padamu ya Allah
Untuk nama, harta dan keluarga yang mencinta
Dan perjalanan yang sejauh ini tertempa
Alhamdulillah pilihan dan kesempatan
Yang membuat hamba mengerti lebih baik makna diri
Semua lebih berarti akan mudah dihayati
Alhamdulillah, Alhamdulillah, Alhamdulillah...
by Too Phat
Dian Sastro:
Disaat waktu berhenti... kosong
Dimensi membutakan mata, memekakkan telinga
Lalu diri menjadi hampa
Saat paradigma dunia tidak lagi digunakan untuk menerka*
Sadarku akan hadirmu, mematahkan sendi2 yang biasanya tegak berdiri
Yassin:
Ult li albi bissaraha (I'm opening up my heart with honesty)
Hayya nab'idil karaha (Let's avoid the hated and hatred)
Syakkireena a' kulli ni'ma (Let's remain thankful with what we have)
Ba' ideena anil fattana (Let's avoid all lies and sins)
Malique:
Merenungi luar jendela, mengagumi kebesaran yang Maha Esa
Ku menilai kehidupan dari sudut berbeza
Tak memadai hanya kecapi rasa selesa
Maukan harta yang mampu beli 1 semesta
Berpesta ke pagi botol bergelimpangan
Kekasih muda bukan setakat berpegang tangan
Harta dan jamuan nafsu tidak berkekalan
Bila menjelang tua bukan itu jadi bekalan
Dan jangan puisi ini disalah tafsir pula
Bukan berkhutbah cuma betuli diri jua
Ingin hidup sempurna aset nilai berjuta,
Saling tukar wanita, senyum dan mati tua
Bakat dikurnia jangan disalah guna
Jangan kufur nikmat yang diberi percuma
Guna kelebihan untuk hikmah bersama
Jagalah nama hidup penuh pementasan dan drama
Ada berisi ada yang kurus, ada melencong ada yang lurus bukan semuanya tulus
Ada sempuna ada kurang upaya ada yang jadi buta hanya bila sudah kaya
Sebesar rumah bermula dengan sekecil bata, boleh hilang dalam sekelip mata
Ucaplah alhamdulillah bukannya sukar, kerna semua yang kaya atau besar
Tetap Allahuakbar!
Joe Flizzow:
Jadikanlah ku tentera Fisabilillah yang tertera di kalimah harap memanduilah
Entah apabila persimpangan tiba, hidup penuh dengan rintangan harus kuhadapinya
Harapku tidak lupa diri bila gembira, dan cuma mula mencari kau disaat hiba
Ku cuma manusia penuh dengan kesilapan tapi bisa membezakan cahaya dan kegelapan
Tabah bila dihalangan duri onak dan cobaan
Teguh bila dicobakan keruh kuasa dan perempuan
Oh, Sentiasa legar diminda, dikejar dan dipinta dari zaman bermula hingga ke akhirnya
Ku mengerti siapa ku tanpamu disisi dan apa guna posisi juga posesi
Sementara ini cuma hanya puisi, nukilan tulisan dan bisikan isi hati
Mencari ketenangan, menjiwai peranan menepati pesanan janji juga saranan
Alhamdulillah atas kurniaan rezeki, moga tidak leka dalam perjalanan ini
Yassin:
Ult li albi bissaraha (I'm opening up my heart with honesty)
Hayya nab'idil karaha (Let's avoid the hated and hatred)
Syakkireena a' kulli ni'ma (Let's remain thankful with what we have)
Ba' ideena anil fattana (Let's avoid all lies and sins)
Ahli Fiqir:
Aku yang memandang di dalam lubuk hati, mencari-cari zat rahsia yang katanya tersembunyi
Aku yang melihat alam meliputi wujud menyertai lalu ku pindahkan alam ke dalam mata hati
Aku hakiki, aku mengerti segala yang terjadi di langit dan di bumi
Gunanya tiada fantasi, pelik dan benar, qada' dan qadar kau berilah ku kekuatan
Agar dapat ku hindarkan segala kesesatan
Usah kau biar nafsuku terliur dari pandangan majazi ini,
Aku yang hodoh lagi hina amat benar merindui
Moga cahaya lelapku tak membutakan mataku, semoga segala puji tak ku meninggi diri
Moga segala janji dapat juga ku penuhi, moga dapatku hadapi tikaman dari belakang
Lidah setajam pisau, ku tidak akan risau dengan cabaran, dugaan sepanjang perjalanan
Ku pasrah ku akur 7, 8, 6 Alhamdulillah Syukur...
Yassin:
Ult li albi bissaraha (I'm opening up my heart with honesty)
Hayya nab'idil karaha (Let's avoid the hated and hatred)
Syakkireena a' kulli ni'ma (Let's remain thankful with what we have)
Ba' ideena anil fattana (Let's avoid all lies and sins)
Laihi ya ruhi yadada ya laihi
Yalaihi ya yaruhi ya yadada yalaihi...
Dian Sastro:
Sujudku pun takkan memuaskan inginku
'Tuk hanturkan* sembah sedalam kalbu
Adapun kusembahkan syukur padamu ya Allah
Untuk nama, harta dan keluarga yang mencinta
Dan perjalanan yang sejauh ini tertempa
Alhamdulillah pilihan dan kesempatan
Yang membuat hamba mengerti lebih baik makna diri
Semua lebih berarti akan mudah dihayati
Alhamdulillah, Alhamdulillah, Alhamdulillah...
KFC
Warna kita mungkin berbeza.
Tp kita sedut udara sama bro
Darah kita warna sama bro
Kenapa kita bodohkan mata kita
Kemana kita nak lari
Ada negara lain ke yang menanti
Tengok ic nak kemana kita nanti
Kini bukan zaman dulu lagi,
Kita satu hati
Kita satu hati
Kita satu hati
Ayam tu pun tak jadi kfc
Kalau tak di campur dan diuli
Kfc tetap ada original dan spicy
Sabar bro tak yah nak maki maki
Makan free jadi tahi nanti
Salah makan semua mati
Kfc oh kfc
Tp kita sedut udara sama bro
Darah kita warna sama bro
Kenapa kita bodohkan mata kita
Kemana kita nak lari
Ada negara lain ke yang menanti
Tengok ic nak kemana kita nanti
Kini bukan zaman dulu lagi,
Kita satu hati
Kita satu hati
Kita satu hati
Ayam tu pun tak jadi kfc
Kalau tak di campur dan diuli
Kfc tetap ada original dan spicy
Sabar bro tak yah nak maki maki
Makan free jadi tahi nanti
Salah makan semua mati
Kfc oh kfc
Tuesday 17 January 2012
Otak kita
JAWAB SECARA SPONTAN:
menguji sejauh mana konsentrasi kita.. :))
- jawab spontan, jangan byk fikir,
- baca satu demi satu,
- concentrate!
- KITA MULA :
permainan konsentrasi warna :
1. Kertas A4 apa warna dia ?
2. Asap warna dia ?
3. Tisu warna dia apa ?
4. Lembu minum apa ?
yang jawab susu konsentrasi anda terganggu, sbb lembu minum air..
1. Rambut anda warna apa ?
2. Tulisan ini warnanya apa ?
3. Jalan raya warnanya apa ?
4. Kelawar tidurnya bila ?
yang jawab malam, ertinya kosentrasi anda terganggu. sbb kelawar tidur siang hari.
1. Warna cendol apa ?
2. Daun kelapa warnanya apa ?
3. Warna bagi kebanyakkan rumput ?
4. Harimau makanannya apa ?
yang jawab rumput itu salah. sbb harimau makan daging.
* sy sendiri pun dah terkena tdi. xD
Sunday 15 January 2012
Positif
7 Superb Sentences
Shakespeare....
"Never Play With The Feelings Of Others
Because You May Win The Game
But The Risk Is That You Will Surely Lose
The Person For A Life Time".
Napoleon....
"The world suffers a lot. Not because of the violence of bad people,
But because of the silence of good people!"
Einstein....
"I am thankful to all those who said NO to me
It's because of them I did it myself.."
Abraham Lincoln....
"If friendship is your weakest point then you are the strongest person in the world"
Shakespeare....
"Laughing Faces Do Not Mean That There Is Absence Of Sorrow!
But It Means That They Have The Ability To Deal With It".
William Arthur....
"Opportunities Are Like Sunrises,
If You Wait Too Long You Can Miss Them".
Hitler....
"When You Are In The Light, Everything
Follows You,
But When You Enter Into The Dark, Even Your Own Shadow Doesn't Follow You."
Shakespeare....
"Coin Always Makes Sound But The Currency
Notes Are Always Silent. So When Your Value Increases
Keep Yourself Calm and Silent"
Dr Abdul Kalaam....
"It Is Very Easy To Defeat Someone, But It Is Very Hard To Win Someone"
Edit TEKA-TEKI YANG PERLU DIBERI jawapan PENAMPAR
1) Kuih apa yang bungkusnya di dalam, isinya di luar?
Answer: Kuih salah bikin.
2) Binatang apa power Karate?
Answer: Kuda belang.cube kira berapa black belt dia ada.
5) Siape yang menemukan dompet kulit?
Answer: Yang menemukan dompet kulit tersebut tolong pulangkan
kepada saya.
7) Pintu ape yang walaupun dengan 10 org pun tak leh nak tolak?
Answer: Pintu yang ade tulis 'TARIK'
8) Saya ada 3 kepala,4 tangan dan 5 kaki...siapakah saya?
Answer: Pembohong...
9) Apa dia 'Jauh di mata, dekat di hati'?
Answer: Usus
10) Binatang ape yang seluruh anggota tubuhnya kat kepala?
Answer: Kutu rambut
11) Nenek sapa jalannya meloncat-loncat?
Answer: Neneknye si katak
12) Knape lelaki jarang kene penyakit anjing gila?
Answer: Sebab lelaki ni kan 'buaya'
13)Ape beza sekretari baik ngan sekretari kurang baik?
Answer: - Sekretari baik..................'Selamat pagi tuan'
- Sekretari kurang baik...........'Dah pagi ni tuan'
14) Ape persamaan Michael Jordan ngan Michael Jackson?
Answer: Dua-dua tak kenal korang...hehe
15) Tukang ape yang kalau dipanggil, die menjenguk ke atas?
Answer: Tukang gali kubur
16) Nak mencari sikit punye susah, bile dah dapat buang ape
bendanya?
Answer: Tahi hidung
17) Ape persamaan kain jemuran ngan telefon?
Answer: Dua-dua kalau dah 'kringgg' bole diangkat...
18) Kenape pokok kelapa kat depan rumah harus ditebang?
Answer: Mestilah kene tebang, sape nak cabut pokok kelapa
...gile apa...!!
19) Gajah terbang dengan apa?
Answer: Dengan susah payah......
Saturday 14 January 2012
Read the labels
ALWAYS READ THE LABELS ON THE FOODS YOU BUY--NO MATTER WHAT THE FRONT OF THE BOX OR PACKAGE SAYS, TURN IT OVER AND
READ THE BACK---CAREFULLY!With all the food and pet products now coming from China, it is best to make sure you read label at the supermarket and especially Walmart (ASDA - US owned) when buying food products.
Many products no longer show where they were made, only give where the distributor is located.
The whole world is concerned about China-made "black hearted goods".
Can you differentiate which one is made in Taiwan or China ?
The world is also concerned about GM (Genetically Modified) foods; steroid fed animals etc in USA.
It is important to read the bar code to track its origin.
How to read Bar Codes .... interesting!
This may be useful to know when grocery shopping, if it's a concern to you.
GREAT WAY TO "BUY UK" AND NOT FROM CHINA or USA!!
If the first 3 digits of the barcode are 690 691 or 692, the product is MADE IN CHINA. 471 is Made in Taiwan .
If the first 3 digits of the barcode are 00 - 09 then it's made or sourced in USA
This is our right to know, but the government and related departments never educate the public, therefore we have to RESCUE ourselves.
Nowadays, Chinese businessmen know that consumers do not prefer products "MADE IN CHINA", so they don't show from which country it is made.
However, you may now refer to the barcode - remember if the first 3 digits are:
690-692 ... then it is MADE IN CHINA
00 - 09 ... USA & CANADA
30 - 37 FRANCE
40 - 44 GERMANY
471 ... Taiwan
49 ... JAPAN
50 ... UK
BUY UK made by watching for "50" at the beginning of the number.
We need every boost we can get! Pass this on to everybody .
The government won't help us, so we MUST help ourselves.
10 places women want to be touched
10 places women want to be touched
Forget a woman's cleavage, there are more erogenous spots that you can now explore to get your lady sexcited. Read on to discover her ten most sensuous body parts waiting to be discovered.
Women are sensuous creatures and they love being kissed and caressed. What guys often mistake is that they go straight for the woman's breasts or other private parts, without concentrating on her other moan zones. So, if you want to get your gal into the mood, stimulate some of her often-neglected body parts.
Touch these places during for*play and sex, or just give her some pleasure after a hard day and she'll surely reward you with brownie points in bed.
Tresses
All guys like women with gorgeous locks. But what you need to know is that women love being touched on their head. It's quite a stress reliever. Running your hands sensuously through her tresses is likely to send shivers down her spine. Massage her temples to the nape of her neck and she’ll be game to your desires.
Nape of her neck
In ancient Japan, the back of a woman’s neck was considered extremely attractive by men as it was one of the few zones that were not covered by the elaborate kimono. Today, very few men focus on the nape of the neck, but we suggest you build up the pleasure by gentle touching and kissing your lady love from her hairline down to her shoulders. It will make her reach dizzying heights of pleasure.
Collar bone
A well-defined collarbone is what men find irresistible. So, why not touch and kiss her there. Unbutton her shirt just a little and stimulate her collarbone with your touch. Create circles with your tongue and give her love bites right there, just to remind her of how much you want her.
Small of her back
Most women love it when their guy places his protective hand against the small of her back as it shows that he feels very strongly about her. So, why not incorporate this gesture into your for*play routine, by kissing or licking down her spine to end up with a kiss on the small of her back. It will definitely get her into the mood for more!
Behind her knees
This area is a power house of sensitive nerve endings. You can gently caress the back of her knee under her skirt while the two of you are in an open public space as it is sure to get her excited by the time you reach home.
Palms of her hands
We use our hands to please our partners, but have you ever thought that you could arouse a woman by stimulating the palm of her hand? Run your finger along her palm as that will make her feel relaxed and ready for a sexy rendezvous ahead.
Her earlobes
This is one of the most erogenous moan centers of a woman's body. Touching, kissing and even gently biting her earlobes will send her into a sexual tizzy. If you are getting extra adventurous, simply nibble around the outside of the rest of her ear as well, but don't put your tongue inside her ear. That's a major turn off!
Happy feet
There's nothing more sinfully seductive than a foot massage. It will help her relax, especially if her job requires her to be on them all day. Get yourself some aromatic massage oil or lotion. Pay extra attention to the pressure points such as her toes, ankles and the sides of her feet too. Some women love enjoy having their toes sucked, but others find it repulsive, so ask your babe what she would have you do before putting them in your mouth.
Soft thighs
Touching a woman's inner thighs without touching her private parts is the most sensual tease that is sure to get her all charged up. Employ your hands and mouth to caress and kiss the insides of her thighs, remember to pull back before going all
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