Director

Film director
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This article contains weasel words: vague phrasing that often accompanies biased or unverifiable information. Such statements should be clarified or removed. (December 2009)
A film director is a person who directs the actors and film crew in filmmaking.[1] They control a film's artistic and dramatic aspects, while guiding the technical crew and actors.
A new director working on feature films might earn as much as $200,000 a year, while the most successful can earn over $500,000 per film plus a "back-end" percentage of the profits, which in some cases can lift their income to several million dollars.[2][3]
Contents  [hide] 
1 Responsibilities
2 Characteristics of film directors
3 Professional organizations
4 Notable film directors
5 See also
6 Bibliography
7 Notes
8 External links
[edit]Responsibilities

Directors are responsible for overseeing creative aspects of a film under the overall control of the film producer. They often develop the vision for a film and carry out the vision, deciding how the film should look, in other words they make their vision come to life. They are responsible for turning the script into a sequence of shots. They also direct what tone it should have and what an audience should gain from the cinematic experience. Film directors are responsible for deciding camera angles, lens effects and lighting with the help of the cinematographer and set design with the production designer. They will often take part in hiring the cast and key crew members. They coordinate the actors' moves, or blocking and also may be involved in the writing, financing and editing of a film.
The director works closely with the cast and crew to shape the film. Some like to conduct rigorous rehearsals in preproduction while others do so before each scene. In either case, this process is essential as it tells the director as well as other key members of the crew (director of photography, stunt coordinator, hair stylist, etc.), how the actors are going to play the scene, which enables them to make any necessary adjustments. Directors often use storyboards to illustrate sequences and concepts and a director's viewfinder to set up camera angles.
The director also plays a key role in post-production. He or she works with the editor to ensure that the emotions of the scene and the close ups, mid-shots and wide or long shots appropriately reflect which character is driving the narrative. The director also advises on the (colour) grading of the final images, adding warmth or frigidity to the composition of the shots to reflect the emotional subtext of the character or environment. The director will sometimes participate in the sound mix and musical composition of the film. In the subsequent promotion of the finished film, if a director is well known his name and image is used to promote the film alongside the stars of the film, but having an image is not the primary function of a director, as they are judged by their creative talent and ability to run a production. It is the second most powerful "behind the scenes" profession in the movie industry, after the producer, but the director traditionally has complete control "on the floor".
[edit]Characteristics of film directors



Ingmar Bergman apparently examines an x-ray film, during work on Wild Strawberries.


The film director, on the right, gives last minute direction to the cast and crew, while filming a costume drama on location in London.


Here, director William Eubank performs multiple roles on-set as both director and camera operator.
Different directors can vary immensely amongst themselves, under various characteristics. Several examples are:
Outline a general plotline and let the actors improvise dialogue. Notable examples include Christopher Guest, Wong Kar-wai, Spike Lee, Wim Wenders, Mike Leigh, Jean-Luc Godard, Miklós Jancsó, Gus Van Sant, Judd Apatow, and occasionally Robert Altman, Sergio Leone and Federico Fellini.
Control every aspect, and demand that the actors and crew follow instructions precisely. Notable examples include David Lean, Akira Kurosawa, Steven Spielberg, Victor Fleming, James Cameron, Michael Bay, George Lucas, Stanley Kubrick, Sidney Lumet, Marcus Dillistone, Christopher Nolan, David Fincher, Guillermo del Toro, Roy Andersson, and Alfred Hitchcock.
Write and/or produce their own films. Notable examples include Woody Allen, Werner Herzog, Alejandro Jodorowsky, John Cassavetes, Ingmar Bergman, Stanley Kubrick, Quentin Tarantino, Giuseppe Cavallaro, James Cameron, Albert Magnoli, George Lucas, J. F. Lawton, David Cronenberg, Charlie Chaplin, Billy Wilder, Ed Wood, David Lynch, the Coen brothers, Jeremy Viele, Francis Ford Coppola, Sofia Coppola, Pedro Almodóvar, John Hughes, Nick Park, Edward Burns, Kevin Smith, Todd Field, Cameron Crowe, Oren Peli, Eli Roth, Paul Thomas Anderson, Guillermo del Toro, Rainer Werner Fassbinder, Roy Andersson, Oliver Stone, Terrence Malick, Brendan Moriarty, John Singleton, Spike Lee, Orson Welles, Akira Kurosawa, Hayao Miyazaki, M. Night Shyamalan, Paul Haggis, Billy Bob Thornton, James Wong, Tyler Perry, Robert Rodriguez, Christopher Nolan, George A. Romero, Sergio Leone, Satyajit Ray, DJ Pooh and Stuart Beattie. Steven Spielberg, Scott Spiegel, Jack Neo, Sidney J. Furie and Tim Burton have written screenplays for a small number of their films.
Collaborate on screenplays with long-standing writing partners. Notable examples include Alejandro González Iñárritu and Guillermo Arriaga, Elia Kazan and Tennessee Williams, Terry Gilliam and Charles McKeown/Tony Grisoni, Wes Anderson and Owen Wilson/Noah Baumbach, Edgar Wright and Simon Pegg, Martin Scorsese and Nicholas Pileggi/Paul Schrader/Jay Cocks, Yasujirō Ozu and Kôgo Noda, Peter Jackson and Fran Walsh, Robert Zemeckis and Bob Gale, Luis Buñuel and Jean-Claude Carrière/Luis Alcoriza, Krzysztof Kieślowski/Krzysztof Piesiewicz, Frank Capra/Robert Riskin, Michelangelo Antonioni/Tonino Guerra, Billy Wilder/I.A.L. Diamond, Sergio Leone and Sergio Donati, Guillermo del Toro and Matthew Robbins, and Christopher Nolan/Jonathan Nolan/David S. Goyer.
Be the cinematographer and/or editor. Notable examples include Nicolas Roeg, Akira Kurosawa, Peter Hyams, Steven Soderbergh, Josef von Sternberg, David Lean, Albert Magnoli, Don Coscarelli, Robert Rodriguez, James Cameron, Ed Wood, Gaspar Noe, Raja Gosnell, Tony Kaye, Takeshi Kitano, Andy Warhol, Shinya Tsukamoto, Kenneth Anger, the Coen brothers.
Appear in their films. Notable examples include Clint Eastwood, Orson Welles, Mel Gibson, Martin Scorsese, Peter Jackson, John Waters, John Carpenter, Spike Lee, Tyler Perry, Rainer Werner Fassbinder, Kevin Costner, Kenneth Anger, Woody Allen, Jon Favreau, Quentin Tarantino, Eli Roth, Michael Bay, Mel Brooks, Ben Stiller, Alejandro Jodorowsky, Charlie Chaplin, Terry Jones, Edward Burns, Sam Raimi, Roman Polanski, Billy Bob Thornton, Sylvester Stallone, M. Night Shyamalan, Will Hay, Harold Ramis, Robert De Niro, John Woo, Kevin Smith, Ed Wood, Warren Beatty, DJ Pooh and Edgar Wright. Kenneth Branagh, Alfred Hitchcock, Scott Spiegel, Shawn Levy and Spike Jonze made cameo appearances in their films.
Compose a music score for their films. Notable examples include Charlie Chaplin, Clint Eastwood, David Lynch, Alejandro Jodorowsky, John Carpenter, Alejandro Amenábar, Satyajit Ray and Robert Rodriguez.
Cast a certain actor in more than one of their films. Notable examples include Mel Brooks, Tim Burton, the Coen brothers, Guillermo Del Toro, Emilio Fernández, David Lynch, Ed Wood, Robert Rodriguez, Wolfgang Reitherman, Don Bluth, Shawn Levy, Terry Jones, Quentin Tarantino, Martin Scorsese, Rob Zombie, Sam Raimi, James Cameron, Spike Lee, Jean-Pierre Jeunet, David Fincher, John Musker, Ron Clements, Edgar Wright, M. Night Shyamalan, Vincenzo Natali, Baz Luhrmann, Alfred Hitchcock, Guillermo del Toro, Terry Gilliam, Spike Jonze, Eli Roth, Christopher Nolan, Woody Allen, Justin Lin, Jack Neo, Kevin Smith, Ivan Reitman, Manirathnam, Robert Zemeckis, Akira Kurosawa, Ridley Scott, John Waters, Wes Anderson, Jason Friedberg and Aaron Seltzer. Stanley Kubrick and Scott Spiegel had recast a small number of actors in their films.
Be a single-person film crew (collaborating on cinematography, editing and music as well). Notable examples include Josh Becker, Robert Rodriguez, William Eubank and John Waters.
Begin their careers in other parts of the media before crossing to direction. Notable examples include Jan de Bont, Mark Goldblatt, Clint Eastwood, Emilio Estevez, Ron Howard, Ben Affleck and Frank Marshall.
[edit]Professional organizations

In the United States, directors usually belong to the Directors Guild of America. The Canadian equivalent is the Directors Guild of Canada. In the UK, directors usually belong to the Directors Guild of Great Britain.
In Europe, FERA, the Federation of European Film Directors, represents 37 national directors' guilds in 30 countries.
[edit]Notable film directors

Woody Allen
Pedro Almodóvar
Robert Altman
Paul Thomas Anderson
Lindsay Anderson
Theodoros Angelopoulos
Jean-Jacques Annaud
Michelangelo Antonioni
Darren Aronofsky
Richard Attenborough
Ingmar Bergman
John Boorman
Robert Bresson
Luis Buñuel
Tim Burton
James Cameron
Frank Capra
John Cassavetes
Nuri Bilge Ceylan
Charlie Chaplin
Henri-Georges Clouzot
Coen brothers
Francis Ford Coppola
Frank Darabont
Vittorio De Sica
Carl Theodor Dreyer
Clint Eastwood
Sergei Eisenstein
Rainer Werner Fassbinder
Federico Fellini
Todd Field
David Fincher
Miloš Forman
John Ford
John Frankenheimer
William Friedkin
Samuel Fuller
Terry Gilliam
Jean-Luc Godard
D. W. Griffith
Michael Haneke
Howard Hawks
Werner Herzog
Alfred Hitchcock
John Huston
Kon Ichikawa
Peter Jackson
Jean-Pierre Jeunet
Chuck Jones
Elia Kazan
Buster Keaton
Abbas Kiarostami
Krzysztof Kieślowski
Masaki Kobayashi
Stanley Kubrick
Akira Kurosawa
Emir Kusturica
Fritz Lang
David Lean
Spike Lee
Sergio Leone
George Lucas
Sidney Lumet
Ernst Lubitsch
David Lynch
Terrence Malick
Louis Malle
Joseph L. Mankiewicz
Steve McQueen
Georges Méliès
Kenji Mizoguchi
F. W. Murnau
Christopher Nolan
Frank Oz
Yasujirō Ozu
Sam Peckinpah
Roman Polanski
Nicholas Ray
Satyajit Ray
Rob Reiner
Jean Renoir
Alain Resnais
Éric Rohmer
George A. Romero
Roberto Rossellini
Franklin J. Schaffner
Martin Scorsese
Ridley Scott
Don Siegel
Steven Soderbergh
Steven Spielberg
Oliver Stone
Quentin Tarantino
Andrei Tarkovsky
Bela Tarr
Jiří Trnka
François Truffaut
Paul Verhoeven
King Vidor
Luchino Visconti
Lars von Trier
The Wachowskis
Orson Welles
Wim Wenders
Billy Wilder
Robert Wise
Edgar Wright
William Wyler
Karel Zeman
Padmarajan
Robert Zemeckis

Syair yang tak pernah padam

Alhamdulillah Lyrics
by Too Phat

Dian Sastro:
Disaat waktu berhenti... kosong
Dimensi membutakan mata, memekakkan telinga
Lalu diri menjadi hampa
Saat paradigma dunia tidak lagi digunakan untuk menerka*
Sadarku akan hadirmu, mematahkan sendi2 yang biasanya tegak berdiri

Yassin:
Ult li albi bissaraha (I'm opening up my heart with honesty)
Hayya nab'idil karaha (Let's avoid the hated and hatred)
Syakkireena a' kulli ni'ma (Let's remain thankful with what we have)
Ba' ideena anil fattana (Let's avoid all lies and sins)

Malique:
Merenungi luar jendela, mengagumi kebesaran yang Maha Esa
Ku menilai kehidupan dari sudut berbeza
Tak memadai hanya kecapi rasa selesa
Maukan harta yang mampu beli 1 semesta
Berpesta ke pagi botol bergelimpangan
Kekasih muda bukan setakat berpegang tangan
Harta dan jamuan nafsu tidak berkekalan
Bila menjelang tua bukan itu jadi bekalan
Dan jangan puisi ini disalah tafsir pula
Bukan berkhutbah cuma betuli diri jua
Ingin hidup sempurna aset nilai berjuta,
Saling tukar wanita, senyum dan mati tua
Bakat dikurnia jangan disalah guna
Jangan kufur nikmat yang diberi percuma
Guna kelebihan untuk hikmah bersama
Jagalah nama hidup penuh pementasan dan drama
Ada berisi ada yang kurus, ada melencong ada yang lurus bukan semuanya tulus
Ada sempuna ada kurang upaya ada yang jadi buta hanya bila sudah kaya
Sebesar rumah bermula dengan sekecil bata, boleh hilang dalam sekelip mata
Ucaplah alhamdulillah bukannya sukar, kerna semua yang kaya atau besar
Tetap Allahuakbar!

Joe Flizzow:
Jadikanlah ku tentera Fisabilillah yang tertera di kalimah harap memanduilah
Entah apabila persimpangan tiba, hidup penuh dengan rintangan harus kuhadapinya
Harapku tidak lupa diri bila gembira, dan cuma mula mencari kau disaat hiba
Ku cuma manusia penuh dengan kesilapan tapi bisa membezakan cahaya dan kegelapan
Tabah bila dihalangan duri onak dan cobaan
Teguh bila dicobakan keruh kuasa dan perempuan
Oh, Sentiasa legar diminda, dikejar dan dipinta dari zaman bermula hingga ke akhirnya
Ku mengerti siapa ku tanpamu disisi dan apa guna posisi juga posesi
Sementara ini cuma hanya puisi, nukilan tulisan dan bisikan isi hati
Mencari ketenangan, menjiwai peranan menepati pesanan janji juga saranan
Alhamdulillah atas kurniaan rezeki, moga tidak leka dalam perjalanan ini

Yassin:
Ult li albi bissaraha (I'm opening up my heart with honesty)
Hayya nab'idil karaha (Let's avoid the hated and hatred)
Syakkireena a' kulli ni'ma (Let's remain thankful with what we have)
Ba' ideena anil fattana (Let's avoid all lies and sins)

Ahli Fiqir:
Aku yang memandang di dalam lubuk hati, mencari-cari zat rahsia yang katanya tersembunyi
Aku yang melihat alam meliputi wujud menyertai lalu ku pindahkan alam ke dalam mata hati
Aku hakiki, aku mengerti segala yang terjadi di langit dan di bumi
Gunanya tiada fantasi, pelik dan benar, qada' dan qadar kau berilah ku kekuatan
Agar dapat ku hindarkan segala kesesatan
Usah kau biar nafsuku terliur dari pandangan majazi ini,
Aku yang hodoh lagi hina amat benar merindui
Moga cahaya lelapku tak membutakan mataku, semoga segala puji tak ku meninggi diri
Moga segala janji dapat juga ku penuhi, moga dapatku hadapi tikaman dari belakang
Lidah setajam pisau, ku tidak akan risau dengan cabaran, dugaan sepanjang perjalanan
Ku pasrah ku akur 7, 8, 6 Alhamdulillah Syukur...

Yassin:
Ult li albi bissaraha (I'm opening up my heart with honesty)
Hayya nab'idil karaha (Let's avoid the hated and hatred)
Syakkireena a' kulli ni'ma (Let's remain thankful with what we have)
Ba' ideena anil fattana (Let's avoid all lies and sins)
Laihi ya ruhi yadada ya laihi
Yalaihi ya yaruhi ya yadada yalaihi...

Dian Sastro:
Sujudku pun takkan memuaskan inginku
'Tuk hanturkan* sembah sedalam kalbu
Adapun kusembahkan syukur padamu ya Allah
Untuk nama, harta dan keluarga yang mencinta
Dan perjalanan yang sejauh ini tertempa
Alhamdulillah pilihan dan kesempatan
Yang membuat hamba mengerti lebih baik makna diri
Semua lebih berarti akan mudah dihayati
Alhamdulillah, Alhamdulillah, Alhamdulillah...

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